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CORINNE LOXTON
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CORINNE LOXTON
Home
Exhibitions
Paintings for Sale
Gallery
Workshops
Corporate Events
Cards, Calendars & Prints
Blog
Media
Profile
Contact
Login Account
Home
Exhibitions
Paintings for Sale
Gallery
Workshops
Corporate Events
Cards, Calendars & Prints
Blog
Media
Profile
Contact
Login Account
Gallery Slumbering Self, 2024, oil on canvas, 91.5 x 152 cm
A large rectangular painting of desert mountains in red ochre with blue sky behind Image 1 of 4
A large rectangular painting of desert mountains in red ochre with blue sky behind
Large desert painting in red oxide and cobalt blue sky over a ochre sofa in a stylish contemporary home Image 2 of 4
Large desert painting in red oxide and cobalt blue sky over a ochre sofa in a stylish contemporary home
Modern living room in stylish home with large landscape painting above sofa, of desert mountains Image 3 of 4
Modern living room in stylish home with large landscape painting above sofa, of desert mountains
Neutral bedroom with king bed and desert landscape on the wall of mountains and cobalt blue sky Image 4 of 4
Neutral bedroom with king bed and desert landscape on the wall of mountains and cobalt blue sky
A large rectangular painting of desert mountains in red ochre with blue sky behind
Large desert painting in red oxide and cobalt blue sky over a ochre sofa in a stylish contemporary home
Modern living room in stylish home with large landscape painting above sofa, of desert mountains
Neutral bedroom with king bed and desert landscape on the wall of mountains and cobalt blue sky

Slumbering Self, 2024, oil on canvas, 91.5 x 152 cm

$3,900.00

In 2024 I travelled to Central Australia to paint and explore my relationship with the centre of this ancient land. The desert landforms and space confronted me with my limits and ultimately, my finiteness. I felt drawn to deep gorge shadows, ghost gums standing serenely in creek beds and the wide sky. At night I began to dream in brush marks of burnt sienna, magenta, cobalt blue, umber and indigo. Then strangely, I began to dream that I embodied the mountain range, that my body formed the bluffs and valleys of the ranges, that I was the mountain, and it was me. This painting was made in response.

Selected as a Finalist in the 2025 Muswellbrook Prize.

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In 2024 I travelled to Central Australia to paint and explore my relationship with the centre of this ancient land. The desert landforms and space confronted me with my limits and ultimately, my finiteness. I felt drawn to deep gorge shadows, ghost gums standing serenely in creek beds and the wide sky. At night I began to dream in brush marks of burnt sienna, magenta, cobalt blue, umber and indigo. Then strangely, I began to dream that I embodied the mountain range, that my body formed the bluffs and valleys of the ranges, that I was the mountain, and it was me. This painting was made in response.

Selected as a Finalist in the 2025 Muswellbrook Prize.

In 2024 I travelled to Central Australia to paint and explore my relationship with the centre of this ancient land. The desert landforms and space confronted me with my limits and ultimately, my finiteness. I felt drawn to deep gorge shadows, ghost gums standing serenely in creek beds and the wide sky. At night I began to dream in brush marks of burnt sienna, magenta, cobalt blue, umber and indigo. Then strangely, I began to dream that I embodied the mountain range, that my body formed the bluffs and valleys of the ranges, that I was the mountain, and it was me. This painting was made in response.

Selected as a Finalist in the 2025 Muswellbrook Prize.

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