Capertee Colour in Painting Retreat Information

PAINT

I recommend Atelier Interactive acrylic 80 ml tubes in the following colours. They are widely available, even at Officeworks and Spotlight - and their prices are often cheaper than art shops.

• Titanium White

• Carbon Black

• Cadmium Yellow Light / Arylamide Yellow Light

• Cadmium red medium

• Alizarin Crimson

• French Ultramarine

• Cerulean Blue / Pthalo Blue

• Permanent Sap Green

• Magenta

• Burnt Umber

• Yellow Ochre / Burnt Sienna

If you prefer to buy a set (as in below), then supplement with the following: 

• Black

• Magenta

• Cerulean / Pthalo Blue

• Permanent Sap Green

• Yellow Ochre / Burnt Sienna

Set contains: Titanium White, Burnt Umber, Arylamide Yellow Light, Cobalt Blue Hue, Napthol Red Light, Crimson

MEDIUMS - optional

Retarder medium slows drying and is especially useful outdoors

Impasto thickens paint - if you want to work with textured paint

CANVASES/BOARDS

You can purchase packs of ply or canvas boards or stretched canvases in a range of sizes, for example, 4 of 12” x 16”, 3 of 10” x 12” etc. Good quality paper is also fine.

BRUSHES

I recommend buying 5-8 hog's bristle brushes and more synthetic ones in different sizes and shapes. The most versatile are filberts. The styles of brush seen most commonly are:

• Round: sometimes a pointed tip, long closely arranged bristles for detail.

• Flat: for spreading paint quickly and evenly over a surface. They have longer hairs than Brights.

• Bright: shorter than flats. Flat brushes with short stiff bristles, good for driving paint into the weave of a canvas in thinner paint applications, as well as thicker painting styles like impasto work.

• Filbert: flat brushes with domed ends. They allow good coverage and the ability to perform some detail work - most useful shape.

• Fan: for blending broad areas of paint.

• Angle: like the filbert, these are versatile and can be applied in both general painting application as well as some detail work.

• Mop: a larger format brush with a rounded edge for broad soft paint application, washes as well as for getting thinner glazes over existing drying layers of paint without damaging lower layers to protect the paintbrush

EQUIPMENT

• Sketchbook - A4 or larger

• Canvases/Boards/or Canvas Paper

• Easel (if you don’t have one, you may be able to borrow one - email Corinne)

• Brushes - bring a range of sizes and types

• Palette knives - 2 to 3

• Palette - A plastic clear document holder, flat plastic food container or clip board makes a great portable palette. A wet cloth with a sheet of baking paper on top can be easily cleaned up and stays usable for longer.

• Paints

• Retarder medium - recommended

• Water

• Jar to clean brushes

• Paper towel/rags

• Coloured/graphite pencil

• Bulldog Clips

• Apron

• Baby wipes

• Plastic bag

• Hat

• Folding chair

• Small folding table

• Sunscreen

• Stanley knife/pencil sharpener

• Spray bottle

• Any other art materials you want to work in

• Bubble wrap, glassine paper, old sheets or boxes to wrap your work for transportation.

PAINT

I recommend the following colours in Art Spectrum, Windsor and Newton or another professional quality paint.

• Zinc white

• Titanium white

• Lemon yellow

• Spectrum or cad yellow

• Yellow ochre

• Spectrum vermillion/cad red

• Alizarin or spectrum crimson

• Magenta

• Spectrum or Flinders violet

• Ultramarine blue

• Pthalo or Prussian blue

• Sap Green

• Burnt Sienna

• Raw Umber

• Ivory or Lamp or Transparent Black

MEDIUMS

The most versatile medium is Liquin. Not necessary to buy unless you want to try it.

SOLVENT

Only Coconut oil brush cleaner of odourless solvent is permitted in the studio for the safety of all participants. Bring a spare jar to store dirty solvent for reuse.

SUPPORTS

Bring a few sheets of canvas paper and a range of sizes of primed plywood or canvas boards or stretched canvases, for example, 3 of 12” x 16”, 2 of 10” x 12” etc.

BRUSHES

BRING a minimum of 7 - 10 hog's bristle brushes and a few synthetic ones in different sizes and shapes. The styles of brush seen most commonly are:

• Round: sometimes a pointed tip, long, closely-arranged bristles for detail.

• Flat: for spreading paint quickly and evenly over a surface. They have longer hairs than Brights.

• Bright: shorter than flats. Flat brushes with short stiff bristles, good for driving paint into the weave of a canvas in thinner paint applications, as well as thicker painting styles like impasto work.

• Filbert: flat brushes with domed ends. They allow good coverage and the ability to perform some detail work - I find this the most versatile brush.

• Fan: for blending broad areas of paint.

• Angle: like the filbert, these are versatile and can be applied in both general painting application as well as some detail work.

• Mop: a larger format brush with a rounded edge for broad soft paint application, washes as well as for getting thinner glazes over existing drying layers of paint without damaging lower layers to protect the paintbrush

EQUIPMENT

• Sketchbook - A4 or larger

• Few sheets of canvas paper

• Canvases or Boards

• Easel (if you don’t have one, email Corinne - you may be able to borrow one)

• Brushes - bring a range of sizes and types

• Palette knives - 2

• Palette - A plastic clear document holder, flat plastic food container or clip board makes a great portable palette

• Paints

• Odourless Solvent and two glass jars with lids

• Paper towel/rags

• Coloured/graphite pencil

• Bulldog Clips

• Apron

• Baby wipes

• Plastic bag for keeping dirty rags

• Hat

• Folding chair

• Small folding table

• Sunscreen

• Stanley knife/pencil sharpener

• Any other art materials you may like to use…watercolours etc

• Boxes for the transportation of wet oil paintings. Please see the photos below

PAINT

Bare minimum:

• Spectrum Yellow - Art Spectrum brand (AS)

• Cadmium Red - Shminke brand (Sh)

• Ultramarine Blue (AS or Sh)

• Prussian Blue (AS or Sh)

Useful  extras:

• Cerulean Blue (AS)

• Burnt Umber (Sh)

• Lemon Yellow (AS or Sh)

Other good brands - Rembrandt, Old Holland, Windsor and Newton, ( W&N have a cheaper student range of ‘Cottman’ watercolours as well as an artist-quality range.)

PAPER

100% Cotton paper -  several single sheets or a pad of paper ( 10 sheets minimum) of the size you want - A4 or A3 depending on how quickly you work. We will also be doing some exercises for which you will need paper.

Good options: Arches 185 gsm or 300 gsm or Saunders Waterford 200 gsm

( Heavier weight paper is better, but 185 gsm is fine for small works up to A3)

Note - good 100% cotton paper is fairly expensive. You might be tempted to get wood pulp paper because it is cheaper. It is much harder to paint on. ( If it doesn’t say 100% cotton, it is most likely wood pulp.)

BRUSHES

3 sizes

• Small - about size 3 round

• Medium - size 8 - 10 round

• Large -  size 12 round or 3/4 “ inch flat brush

Mostly, students get synthetic brushes as they are more affordable.

• HB pencil

• Kneadable eraser  ( putty rubber )

• A palette of white plastic  ( or cheap white plastic bowls ) to mix in.

• Spray bottle

• Mediums if you prefer

• Easel (if you don’t have one, let Corinne know to bring an extra one)

• Water

• Jar to clean brushes

• Paper towel/rags

• Bulldog Clips

• Apron

• Baby wipes

• Plastic bag for rubbish

• Hat

• Folding chair

• Small folding table

• Sunscreen

• Stanley knife/pencil sharpener

• Any other art materials you want to work in