Blue Mountains Plein Air Painting Retreat Information

Monday 1 - Thursday 4 December 2025

We meet on Monday 1st December at our retreat base, Allview Escapes in Blackheath at 1 pm. Allview is 415-419 Hat Hill Rd, Blackheath, NSW, 2785. Directions here

What’s included from 1 pm on Monday to 2.30 pm Thursday?

  • A magnificent location and luxurious facilities at Allview Escapes in Blackheath

  • Painting plein air painting tutorials and practice sessions in breathtaking mountain locations

  • Catered lunches from Monday to Thursday

  • Direct walking access from your room to spectacular bush tracks between Pulpit Rock and Govetts Leap

  • 2 Painting boards or canvases

  • Private feedback sessions

  • 2 Guided bushwalks

  • 2 Guided meditation sessions

  • 2 Yoga sessions

  • Delicious morning & afternoon teas each day

WHAT TO BRING

Food

  • Breakfast food

  • Snacks (optional as we provide lots of food)

  • Dinner food - closer to the retreat I will connect you with others to co-ordinate about food if desired

General Equipment

  • Yoga Mat (if you don’t have one, Corinne has some spares)

  • Journal

  • Pen and pencil

  • Walking shoes

  • Rain jacket

  • Hat

  • Folding chair

  • Small folding table

  • Sunscreen

  • Sunglasses

  • Warm clothing

  • Backpack

  • Water bottle

  • Bubble wrap or old sheets to wrap your work for transportation. (If working in oil, please let me know and I will advise a packing method)

PLEIN AIR PAINTING MATERIALS AND EQUIPMENT

Please supplement these materials with your own as desired. These lists will provide you with a great starting point. A limited number of Art Kits and Easels are available for hire for the duration of the retreat. Click on the link below for details.

  • PAINT

    I recommend Atelier Interactive acrylic 80 ml tubes in the following colours. They are widely available, even at Officeworks and Spotlight - and their prices are often cheaper than art shops.

    • Titanium White

    • Carbon Black

    • Cadmium Yellow Light / Arylamide Yellow Light

    • Cadmium red medium

    • Alizarin Crimson

    • French Ultramarine

    • Cerulean Blue / Pthalo Blue

    • Permanent Sap Green

    • Magenta

    • Burnt Umber

    • Yellow Ochre / Burnt Sienna

    If you prefer to buy a set (as in below), then supplement with the following: 

    • Black

    • Magenta

    • Cerulean / Pthalo Blue

    • Permanent Sap Green

    • Yellow Ochre / Burnt Sienna

    Set contains: Titanium White, Burnt Umber, Arylamide Yellow Light, Cobalt Blue Hue, Napthol Red Light, Crimson

    MEDIUMS - optional

    Retarder medium slows drying and is especially useful outdoors

    Impasto thickens paint - if you want to work with textured paint

    SUPPORTS

    You can purchase packs of ply or canvas boards or stretched canvases in a range of sizes, for example, 4 of 12” x 16”, 3 of 10” x 12” etc. I found the shape of the landscape invited long rectangular formats, and if you have several of the same sizes, you could potentially butt them up next to each other if you wish to. Good quality paper is also fine.

    BRUSHES

    I recommend buying 5-8 hog's bristle brushes and more synthetic ones in different sizes and shapes. The styles of brush seen most commonly are:

    • Round: sometimes a pointed tip, long closely arranged bristles for detail.

    • Flat: for spreading paint quickly and evenly over a surface. They have longer hairs than Brights.

    • Bright: shorter than flats. Flat brushes with short stiff bristles, good for driving paint into the weave of a canvas in thinner paint applications, as well as thicker painting styles like impasto work.

    • Filbert: flat brushes with domed ends. They allow good coverage and the ability to perform some detail work - most useful shape.

    • Fan: for blending broad areas of paint.

    • Angle: like the filbert, these are versatile and can be applied in both general painting application as well as some detail work.

    • Mop: a larger format brush with a rounded edge for broad soft paint application, washes as well as for getting thinner glazes over existing drying layers of paint without damaging lower layers to protect the paintbrush

    EQUIPMENT

    • Sketchbook - A4 or larger

    • 7 - 10 Canvases/Boards/or Canvas Paper ( I will supply 2)

    • Easel (if you don’t have one, let Corinne know to bring an extra one)

    • Brushes - bring a range of sizes and types

    • Palette knives - 2 to 3

    • Palette - A plastic clear document holder or clip board makes a great portable palette

    • Paints

    • Retarder medium - optional

    • Water

    • Jar to clean brushes

    • Paper towel/rags

    • Coloured/graphite pencil

    • Bulldog Clips

    • Apron

    • Baby wipes

    • Plastic bag

    • Hat

    • Folding chair

    • Small folding table

    • Sunscreen

    • Stanley knife/pencil sharpener

    • Spray bottle

    • Any other art materials you want to work in

  • PAINT

    I recommend the following readily available sets of ART SPECTRUM 40 ml tubes (Windsor & Newton or Georgian are good substitutes):

    • Sets of 6 colours including: Spectrum Yellow, Spectrum Red, Spectrum Blue, Spectrum Viridian, Yellow Ochre, Titanium White

    • Sets of 9 colours including: Lemon Yellow, Spectrum Red, Spectrum Violet, Spectrum Blue, Spectrum Viridian, Yellow Ochre, Burnt Sienna, Raw Umber, Zinc White

    If you would like to supplement either set add:

    • Black

    • Ultramarine Blue

    • Sap Green or Australian Leaf Green

    MEDIUMS

    The most versatile medium is Liquin. Not necessary to buy unless you want to try it.

    SOLVENT

    Bring Odourless Solvent and bring a spare jar to store dirty solvent for reuse

    SUPPORTS

    Bring a few sheets of canvas paper and a range of sizes of plywood or canvas boards or stretched canvases, for example, 3 of 12” x 16”, 2 of 10” x 12” etc. I found the shape of the landscape invited long rectangular formats, and if you have several of the same sizes, you could potentially butt them up next to each other if you wish to.

    BRUSHES

    BRING 7 - 10 hog's bristle brushes and a few synthetic ones in different sizes and shapes. The styles of brush seen most commonly are:

    • Round: sometimes a pointed tip, long closely arranged bristles for detail.

    • Flat: for spreading paint quickly and evenly over a surface. They have longer hairs than Brights.

    • Bright: shorter than flats. Flat brushes with short stiff bristles, good for driving paint into the weave of a canvas in thinner paint applications, as well as thicker painting styles like impasto work.

    • Filbert: flat brushes with domed ends. They allow good coverage and the ability to perform some detail work - I find this the most versatile brush.

    • Fan: for blending broad areas of paint.

    • Angle: like the filbert, these are versatile and can be applied in both general painting application as well as some detail work.

    • Mop: a larger format brush with a rounded edge for broad soft paint application, washes as well as for getting thinner glazes over existing drying layers of paint without damaging lower layers to protect the paintbrush

    EQUIPMENT

    • Sketchbook - A4 or larger

    • Few sheets of canvas paper

    • 7 - 10 Canvases or Boards ( I will supply 2)

    • Easel (if you don’t have one, let Corinne know you may be able to borrow one)

    • Brushes - bring a range of sizes and types

    • Palette knives - 2

    • Palette - A plastic clear document holder or clip board makes a great portable palette

    • Paints

    • Odourless Solvent and two glass jars with lids

    • Paper towel/rags

    • Coloured/graphite pencil

    • Bulldog Clips

    • Apron

    • Baby wipes

    • Plastic bag for keeping dirty rags

    • Hat

    • Folding chair

    • Small folding table

    • Sunscreen

    • Stanley knife/pencil sharpener

    • Any other art materials you may like to use…watercolours etc

  • PAINT

    Bare minimum:

    • Spectrum Yellow - Art Spectrum brand (AS)

    • Cadmium Red - Shminke brand (Sh)

    • Ultramarine Blue (AS or Sh)

    • Prussian Blue (AS or Sh)

    Useful  extras:

    • Cerulean Blue (AS)

    • Burnt Umber (Sh)

    • Lemon Yellow (AS or Sh)

    Other good brands - Rembrandt, Old Holland, Windsor and Newton, ( W&N have a cheaper student range of ‘Cottman’ watercolours as well as an artist-quality range.)

    PAPER

    100% Cotton paper -  several single sheets or a pad of paper ( 10 sheets minimum) of the size you want - A4 or A3 depending on how quickly you work. We will also be doing some exercises for which you will need paper.

    Good options: Arches 185 gsm or 300 gsm or Saunders Waterford 200 gsm

    ( Heavier weight paper is better, but 185 gsm is fine for small works up to A3)

    Note - good 100% cotton paper is fairly expensive. You might be tempted to get wood pulp paper because it is cheaper. It is much harder to paint on. ( If it doesn’t say 100% cotton, it is most likely wood pulp.)

    BRUSHES

    3 sizes

    • Small - about size 3 round

    • Medium - size 8 - 10 round

    • Large -  size 12 round or 3/4 “ inch flat brush

    Mostly, students get synthetic brushes as they are more affordable.

    • HB pencil

    • Kneadable eraser  ( putty rubber )

    • A palette of white plastic  ( or cheap white plastic bowls ) to mix in.

    • Spray bottle

    • Mediums if you prefer

    • Easel (if you don’t have one, let Corinne know to bring an extra one)

    • Water

    • Jar to clean brushes

    • Paper towel/rags

    • Bulldog Clips

    • Apron

    • Baby wipes

    • Plastic bag for rubbish

    • Hat

    • Folding chair

    • Small folding table

    • Sunscreen

    • Stanley knife/pencil sharpener

    • Any other art materials you want to work in

  • Art kits, including acrylic or oil paints, may be hired for $140 for the duration of the retreat. They need to be booked no later than 2 weeks before the retreat and there are a limited number.

    Kit contains: oil or acrylic paints, brushes, palette knives, a palette, solvent, jar, paper towel/rags, coloured/graphite pencil, clips, apron, baby wipes, viewfinder

    A limited number of easels may also be borrowed for use at the retreat.

    Contact Corinne to organise

  • What to bring if you have hired an ART KIT

    • Sketchbook - A4 or larger

    • 7 - 10 Canvases, Boards, few sheets canvas paper ( I will supply 2)

    • Easel (unless you have requested one and it's confirmed)

    • Plastic bag

    • Hat

    • Folding chair

    • Small folding table

    • Sunscreen

    • Stanley knife/pencil sharpener

    • Spray bottle with water and optional retarder medium for acrylic painters

ACCOMMODATION

Allview Escapes, Blackheath

Allview Escapes is a secluded, hidden jewel of the Upper Mountains. Located only minutes from Blackheath, yet remote and with unsurpassed views, this is the perfect place for us to retreat - to paint, connect with nature, be re-energised. There are two separate houses on the property, both with 4 bedrooms. Malies house has 3 bathrooms, while Isabella has 2. 

Malies House

1 KB - Katy

QB + SB Twins - Kate and Therese

QB + SB Twins - Robyn

1 DB - Angela

Isabella House

QB - Nicki

QB - Lynda

QB - Rena

QB - Maria